{"id":1844,"date":"2023-12-20T14:21:12","date_gmt":"2023-12-20T14:21:12","guid":{"rendered":"https:\/\/digitalscholarship.umich.edu\/lsa-history\/?post_type=showcase&#038;p=1844"},"modified":"2024-05-09T14:42:28","modified_gmt":"2024-05-09T14:42:28","slug":"season-5-episode-2-waiting-with-mozart","status":"publish","type":"showcase","link":"https:\/\/digitalscholarship.umich.edu\/lsa-history\/showcase\/season-5-episode-2-waiting-with-mozart\/","title":{"rendered":"Season 5, Episode 2: Waiting with Mozart"},"content":{"rendered":"\n<p class=\"has-white-color has-text-color has-background has-medium-font-size wp-block-paragraph\" style=\"background-color:#4d4d4e\">Join Wolfgang Amadeus Mozart in 1777 as he waits, in an aristocrat\u2019s antechamber in Munich, for a conversation that could change his life. What did it mean to wait in the past? Who waited? How did it shape society and culture, and how did it define social interactions?<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"760\" src=\"https:\/\/digitalscholarship.umich.edu\/lsa-history\/wp-content\/uploads\/sites\/2\/2023\/12\/Croce_MozartFamilyPortrait-1024x760.jpg\" alt=\"Johann Nepomuk della Croce, \u201cMozart family,\u201d oil on canvas circa 1780. The painting depicts sister Maria Anna (&quot;Nannerl&quot;) seated next to Wolfgang at the piano; mother Anna Maria in a painting hanging from the wall; and father Leopold Mozart resting his arm on the piano and holding a violin. \" class=\"wp-image-1846\" style=\"width:1000px;height:auto\" srcset=\"https:\/\/digitalscholarship.umich.edu\/lsa-history\/wp-content\/uploads\/sites\/2\/2023\/12\/Croce_MozartFamilyPortrait-1024x760.jpg 1024w, https:\/\/digitalscholarship.umich.edu\/lsa-history\/wp-content\/uploads\/sites\/2\/2023\/12\/Croce_MozartFamilyPortrait-300x223.jpg 300w, https:\/\/digitalscholarship.umich.edu\/lsa-history\/wp-content\/uploads\/sites\/2\/2023\/12\/Croce_MozartFamilyPortrait-768x570.jpg 768w, https:\/\/digitalscholarship.umich.edu\/lsa-history\/wp-content\/uploads\/sites\/2\/2023\/12\/Croce_MozartFamilyPortrait-1536x1140.jpg 1536w, https:\/\/digitalscholarship.umich.edu\/lsa-history\/wp-content\/uploads\/sites\/2\/2023\/12\/Croce_MozartFamilyPortrait-1568x1164.jpg 1568w, https:\/\/digitalscholarship.umich.edu\/lsa-history\/wp-content\/uploads\/sites\/2\/2023\/12\/Croce_MozartFamilyPortrait.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Image:&nbsp;Johann Nepomuk della Croce, \u201cMozart family,\u201d oil on canvas circa 1780.<\/figcaption><\/figure>\n<\/div>\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Spotify Embed: Season 5, Episode 2: Waiting with Mozart\" style=\"border-radius: 12px\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/episode\/4L3D7BgsV1crBZa7Hh8bUK?utm_source=oembed\"><\/iframe>\n<\/div><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-3e41869c wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-width wp-block-button__width-25\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/podcasts.apple.com\/us\/podcast\/reverb-effect\/id1486434428\">Apple Podcasts<\/a><\/div>\n\n\n\n<div class=\"wp-block-button has-custom-width wp-block-button__width-25\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/podcasts.google.com\/feed\/aHR0cHM6Ly9yZXZlcmJlZmZlY3QubGlic3luLmNvbS9yc3M\">Google Podcasts<\/a><\/div>\n\n\n\n<div class=\"wp-block-button has-custom-width wp-block-button__width-25\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/open.spotify.com\/show\/4Otp5KrKnJYZVd1S8guPe6?si=UC24WtvISZaa_B_7JbXrIA\">Spotify<\/a><\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Imagine Wolfgang Amadeus Mozart, one of the most famous composers of all time, waiting for a job interview in 1777. How would Mozart pass the time? Who would he talk to? What would his surroundings look like? How would he handle the wait?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In this episode, Helmut Puff reflects on waiting with Mozart in Duke Max Joseph&#8217;s antechamber in Munich. Puff has written about the history of waiting, and he encourages us to think more deeply about what waiting means, who waits, how it shapes our society and culture, and how it defines our social interactions.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><a href=\"https:\/\/digitalscholarship.umich.edu\/lsa-history\/showcase\/season-5-episode-2-transcript\/\" data-type=\"showcase\" data-id=\"1850\">View the full episode transcript<\/a><\/strong>.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"historian-biography\">Historian Biography<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Helmut Puff<\/strong> is the Elizabeth L. Eisenstein Collegiate Professor of History and Germanic Languages at the University of Michigan. His most recent book, <em>The Antechamber: Toward a History of Waiting<\/em>, published by Stanford University Press, turns to time, space, and encounters, tracing the history of waiting in early modern Europe.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"production-credits\">Production Credits<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Episode Producer:&nbsp;<\/strong>Helmut Puff<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Host and Season Producer:<\/strong>&nbsp;Paige Newhouse<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Executive Producer:<\/strong>&nbsp;Gregory Parker<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Editorial Board:\u00a0<\/strong>Henry Cowles, Amir Marshi, Enrieth Martinez Palacios, Talitha Pam, Cheyenne Pettit, Sophie Wunderlich<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Voice Actors:<\/strong> Himani Boompally, W. Forrest Holden, Lucas Koutsoukos-Chalhoub, and Jackie Lauer<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Sounds: <\/strong><br>Pierre Grandjean, \u201cToupie1.mp3\u201d (Freesound, Creative Commons 1.0 Deed).<br>NachtmarTV, \u201cWalking on hard floor with boots\u201d (Freesound, Creative Commons 4.0 Deed).<br>fauxpress, \u201cOld Scots Clock &#8211; Ring the Hour &#8211; Five O\u2019clock\u201d (Freesound, Creative Commons 1.0 Deed).<br>SFXAFRIK, \u201cDoors, wooden door, long creak, open, close office, Wooden Door, Office Door Knock\u201d (Freesound, Creative Commons 4.0 Deed)&nbsp;.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Music:&nbsp;<\/strong><br>Wolfgang Amadeus Mozart, \u201cString Quartet No. 3 in G Major: 3. Tempo di Minuetto,\u201d K. 156 (134B), Lynne Publishing.<br>Wolfgang Amadeus Mozart, \u201cFantasia No. 3 in D minor,\u201d K. 397, German Records.<br>Wolfgang Amadeus Mozart, <em>The Marriage of Figaro<\/em>: \u201cOverture,\u201d K. 492, Symphonik.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Share your thoughts about&nbsp;<em>Reverb Effect<\/em>&nbsp;by messaging&nbsp;<a href=\"mailto:reverb.effect@umich.edu\">reverb.effect@umich.edu<\/a>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00a9 2023 Regents of the University of Michigan<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Join Wolfgang Amadeus Mozart in 1777 as he waits, in an aristocrat\u2019s antechamber in Munich, for a conversation that could change his life. What did it mean to wait in the past? Who waited? How did it shape society and culture?<\/p>\n","protected":false},"featured_media":1848,"template":"","format":[51],"categories":[98,44,448],"tags":[],"contributor":[99],"authors":[420,260],"department_or_unit":[5],"funding_sources":[66],"project_date":[418],"support_partners":[],"class_list":["post-1844","showcase","type-showcase","status-publish","format-standard","has-post-thumbnail","hentry","category-featured-homepage-showcase","category-reverb-effect","category-season-5","contributor-gregory-parker","authors-helmut-puff","authors-paige-newhouse","department_or_unit-history","format-podcast","funding_sources-department-of-history","project_date-418","entry"],"uagb_featured_image_src":{"full":["https:\/\/digitalscholarship.umich.edu\/lsa-history\/wp-content\/uploads\/sites\/2\/2023\/12\/Croce_MozartFamilyPortrait_sqweb.jpg",1520,1520,false],"thumbnail":["https:\/\/digitalscholarship.umich.edu\/lsa-history\/wp-content\/uploads\/sites\/2\/2023\/12\/Croce_MozartFamilyPortrait_sqweb-150x150.jpg",150,150,true],"medium":["https:\/\/digitalscholarship.umich.edu\/lsa-history\/wp-content\/uploads\/sites\/2\/2023\/12\/Croce_MozartFamilyPortrait_sqweb-300x300.jpg",300,300,true],"medium_large":["https:\/\/digitalscholarship.umich.edu\/lsa-history\/wp-content\/uploads\/sites\/2\/2023\/12\/Croce_MozartFamilyPortrait_sqweb-768x768.jpg",768,768,true],"large":["https:\/\/digitalscholarship.umich.edu\/lsa-history\/wp-content\/uploads\/sites\/2\/2023\/12\/Croce_MozartFamilyPortrait_sqweb-1024x1024.jpg",1000,1000,true],"1536x1536":["https:\/\/digitalscholarship.umich.edu\/lsa-history\/wp-content\/uploads\/sites\/2\/2023\/12\/Croce_MozartFamilyPortrait_sqweb.jpg",1520,1520,false],"2048x2048":["https:\/\/digitalscholarship.umich.edu\/lsa-history\/wp-content\/uploads\/sites\/2\/2023\/12\/Croce_MozartFamilyPortrait_sqweb.jpg",1520,1520,false],"post-thumbnail":["https:\/\/digitalscholarship.umich.edu\/lsa-history\/wp-content\/uploads\/sites\/2\/2023\/12\/Croce_MozartFamilyPortrait_sqweb.jpg",1520,1520,false]},"uagb_author_info":{"display_name":"glparker","author_link":"https:\/\/digitalscholarship.umich.edu\/lsa-history\/author\/"},"uagb_comment_info":0,"uagb_excerpt":"Join Wolfgang Amadeus Mozart in 1777 as he waits, in an aristocrat\u2019s antechamber in Munich, for a conversation that could change his life. What did it mean to wait in the past? Who waited? 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